![]() ![]() Kate Hudson’s Mei Mei, an aggressively flirtatious ribbon dancer, feels like an ineffectual toy whittled from the branch of a cut sub-plot. ![]() The hidden panda village to which Po returns features a slew of names but few memories, like the first day on the job. However, some of the production seems leftover from different cuts of the production. results when raising a child, as well as the fathers’ eventual embrace of each other’s importance in Po’s life, provide the most moving moments of the film. ![]() Deeper themes of personal acceptance and cultural heritage mesh with the modernity of multiculturalism. While his alloparenting introduces the loving theme that parents can be defined many different ways, with Po eventually referring to his “dads”, the lessons are not exclusively father-based. Ping (Hong), who raised him faces genuinely touching problems of jealousy and fear. The entrance of Po’s panda father means that the noodle shop owning goose, Mr. The jokes, often quite good, come from a variety of talented actors: Seth Rogen and David Cross slay as the snide Mantis and Crane, but the deadpan delivery from venerable talents like Dustin Hoffman and James Hong embrace the versatility of their talents. A simple enough plot underestimates its audience through repetitive explanation while our brains progress through its Campbellian story components like assessing the trajectory of a baseball: an unconscious appraisal that allows us to focus on other things, like running in the outfield or cackling to one-liners with our kids. Simmons) - that thrust him out of comfort once again on a journey to stop an unstoppable force by better understanding himself. Two new figures enter his life - his biological father, Li Shan (Bryan Cranston) and the power-hungry spirit Kai (J.K. Po (Jack Black) the panda, protects his valley home as the legendary and prophesied Dragon Warrior until supernatural trouble catalyzes another quest for personal growth. Despite its goofy veneer, the Kung Fu Panda series has long incorporated Chinese mythology into its narratives - it’s no coincidence the main characters anthropomorphize a variety of Chinese martial art disciplines (mantis, tiger, monkey, crane, snake, and - in lieu of panda - dragon).ĭirectors Jennifer Yuh Nelson and Alessandro Carloni, along with executive producer Guillermo del Toro, understand the rich (ha) potential of China, delivering the third chapter as an extraordinarily accessible fable drenched in the life-encompassing chi that inspired George Lucas’s Force. An often exhilarating, kaleidoscopic manhua combining the traditions of overblown martial arts and the simple, fantastic stories of folklore, Kung Fu Panda 3 pushes the series forward towards its potential as a centerpiece of biculturalism.Ī co-production between DreamWorks and Oriental DreamWorks, Kung Fu Panda 3 is the first major American animated film to be co-produced with a Chinese company. ![]()
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